Friday, March 17, 2017
Banner was one of the "dime store labels" - it was the house label for the S.S. Kresge chain, although it was apparently made available to other discount stores as as well. Banner was part of the Plaza Records group, which included the Domino, Oriole, and Regal labels. Here's a monthly catalog supplement of new releases - there's no year listed, but all the records I checked were recorded in the spring or summer of 1928, so this must be the September, 1928 supplement. To today's record collectors, the most interesting records are probably the one "race" record listed, by New Orleans blues singer Lizzie Miles, and the "Hill-Billy Records" on the last page. (Although some of the dance records look pretty tasty, and the Original Indiana Five show up on 7084.) None of the artists are even listed for the hillbilly records, but in order, they are by The Lonesome Pine Twins, William Randolph, Ernest Stoneman, John Baltzell, William Randolph again, Ernest Stoneman again, John Baltzell again, Ernest Stoneman once again, and The Lonesome Pine Twins again.
Friday, March 10, 2017
Sergei Rachmaninoff's 1919 Edison recording of Liszt's Hungarian Rhapsody No. 2, spread across three record sides, has always something of a disappointment to me. Once I had a turntable capable of playing Diamond Discs, I eagerly searched for and acquired the Rachmaninoff discs, only to find the combination of surface noise and low recording level standing in the way of enjoying the music. The period of these discs' manufacture was not one of the Edison's best, in terms of sound quality.
But I have wanted to try my hand at transferring these records, so here is my attempt. I've joined the three sides together with crossfades, but it will be apparent when each new side starts. The beginning of each disc is pretty noisy, but the noise abates somewhat further down the groove - an unfortunately common characteristic of some eras of Diamond Discs.
The third side of the Second Rhapsodie, as the labels have it, includes Rachmaninoff's own cadenza, which subsequent pianists often include when performing the piece. The flip side of part three is a "Pastorale" by Scarlatti, as arranged by Carl Tausig. The picture to the right is from an Edison catalog called Music That Lives, from the early 1920s. It's a listing, with descriptions, of 300 of what the Edison organization considered their best records.
So, warts and all here is Rachmaninoff's 1919 recording of Liszt's Hungarian Rhapsody No. 2 and Scarlatti's "Pastorale." I applied some declicking and a little noise reduction, but there are still passages that are practically inaudible above the surface noise.